These video cameras have been used by television studios, independent filmmakers, and major studios alike. Here are the most popular options to upgrade to from a DSLR or mirrorless.Top image via Michael Maher/PremiumBeatLet me begin this piece but stating the obvious. Yes, I do know that not everyone has a large enough budget for a true video production camera. The intent of this piece is to shine a light on the many options that are quite frankly much better than using a DSLR or mirrorless camera.The Benefits of Using Video Cameras Over a DSLR and MirrorlessThere has been a very odd shift in the industry that has ruled out video cameras as a go-to option for video production. During the DSLR boom, filmmakers realized they could get amazing footage — even though the sound was atrocious. Users adapted a traditional cinema technique of running a completely separate audio setup. While this helped produce quality content, so many videos were produced by a single producer. One person shot with the camera, recorded the audio, and then would edit and upload their projects.If you’re already doing the workload of ten people, why go through so many steps to make things even more difficult? You can simplify the process by using an actual video camera — one built to capture cinematic footage and quality audio at the same time.Image via Michael Maher/PremiumBeatI, like many of the readers here, come from a DSLR background. Back in film school, I jumped on the Canon 5D MKII and 7D bandwagon. The cameras were affordable and offered a great image. Classmates stuck using gear reserved for freshmen were producing content on cameras already a decade old. With a DSLR, I could also get photos and video. One of the best things was the size of the camera. It wasn’t intimidating to the subjects I was shooting, and people were much more comfortable around the camera.Now I rarely shoot photos, and just focus on video. The more documentary work I do, the more of a hassle the DSLR and mirrorless cameras have become. I’ve gone through such great lengths to add support gear to my DSLR, when I should have just upgraded to a production camera in the first place.Image via Michael Maher/PremiumBeatVideo cameras are so much smaller and lighter than in years past. I recently got my hands on the Sony FS5, and I have to admit — I fell in love. An added benefit: much of the lightweight support gear I bought over the years still works with these new lightweight video cameras. Another great feature: a freaking handgrip. Do you know how much easier life is with a handgrip? Also, the variable ND was a treat. Now, the camera did have its faults; no camera is perfect. I don’t much care for the menu interface, which isn’t really an issue when it comes down to image quality. The FS5 is a broadcast beast that also allows you to capture a true cinematic look.The FS5 inspired me to write this post for any others looking to upgrade their camera package and turn their DSLR or mirrorless into your B camera.Types of Video CamerasThe following manufacturers and cameras are some of the most common production cameras you’ll see on set. The list includes cameras in the medium price range for documentary and independent filmmakers, as well as some high-end cinema cameras you may see when working on bigger productions.While this certainly isn’t an all-inclusive list, these cameras will give you an excellent cinematic look. We’ll start with some of the medium-budget cameras and work up to the major production camera bodies.SonySony offers an array of professional cameras in the XDCAM lineup and the CineAlta line for major motion pictures. They are used by countless television studios, news productions, documentary filmmakers, as well as sports teams like the Dallas Stars.Sony PXW-FS5Image via Michael Maher/PremiumBeatThe Sony FS5 is one of the new cameras on this list, having come out in Q4 of 2015. The camera is popular among news shooters and documentary filmmakers like Philip Bloom. The body alone is incredibly lightweight at 1.8 lbs.Specs:Super 35-Sized CMOS SensorSony E-MountUHD at 24/30 FPS, HD up to 240 FPSXAVC Long, AVCHD Recording Codecs2 x SD Media Card SlotsHD/3G-SDI & HDMI OutputNative ISO 3200 (S-Log3 Gamma)14 Stops of Dynamic RangeBuilt-in ND filter from 1/4ND to 1/128NDErgonomic Handgrip with Camera ControlsPrice: $5,599 (Body Only)Sony PXW-FS7The Sony FS7 is the big brother to the FS5. The camera is slightly larger and has been used on independent films like the 2016 SXSW film Donald Cried.Specs:Super 35 Sized CMOS SensorSony E-MountDCI 4K (4096 x 2160) up to 60p via External RecorderUHD up to 60 FPS, HD up to 180 FPSNative ISO 2000 (S-Log3 Gamma)XAVC-I, XAVC-L, MPEG-2XAVC-I Up to 600 Mb/sDual XQD Memory Card SlotsDual HD/3G-SDI & HDMI OutputBuilt-in ND filter from 1/4ND to 1/128NDErgonomic Handgrip with Camera ControlsPrice: $7,999 (Body Only)Sony PMW-F55The Sony F55 comes from the CineAlta line and is one of the premier Sony cameras designed for major motion pictures and television. It was recently used on the Oscar-winning film Ex Machina and the 2016 SXSW film Slash. Other major motion pictures include The Wedding Ringer, A Million Ways to Die in the West, and Tomorrowland. On television, the camera was used on Vinyl, The Blacklist, and the Netflix series Marco Polo.Specs:8.9MP Super 35mm CMOS Image SensorInternal 4K/2K/HD Recording14 Stops Dynamic RangeElectronic Global ShutterUp 240 fps 2K with Optional AXS-R5Native FZ-Mount and PL-Mount AdapterSxS Pro+ Media CardsPrice: $28,999 (Body Only)CanonCanon video cameras are very popular in the advertising and independent film worlds. They are frequently used in national ad campaigns and will sometimes serve as B cameras on major motion pictures.Canon EOS C100 MK IIThe Canon C100 MK II is the manufacturer’s entry-level pro video camera. It’s most used on weddings, documentaries, and short films, and is a great stepping stone for those coming from the Canon DSLR lineup. The C100 was recently used on the Sundance short film The Shining Star of Losers Everywhere, which earned a nomination for the Short Film Grand Jury Prize.Specs:Super 35mm CMOS SensorCanon EF Mount1920x1080p 59.94/50/29.97/25/23.98AVCHD + MP4 RecordingDual SDHC/SDXC Media Card SlotsHDMI Output with Timecode & Canon LogISO 320 to 102,400Canon Log and Wide DR GammaTwo XLR Audio ConnectorsPrice: $4,499 (Body Only)Canon C300 MK IIThe Canon C300 MK II is the middle-level pro video camera. It’s frequently used on full-length documentary films and as a B camera on major motion pictures. It was used in the documentaries Cartel Land, Sonic Highways, and 20 Feet from Stardom. The camera is also used on the VICE documentary shorts for HBO. The C300 was used on independent features like Blue is the Warmest Color and television shows like Deadliest Catch. In Hollywood, the camera has been used for stunts and b-roll on Rush and Her.Specs:Super 35mm CMOS Sensor4K, 1920×1080 60/50i, 23.98/25p/24pAvailable with EF or PL MountCanon XF AVC H.264 CodecDual Pixel CMOS AF TechnologyRotating 4″ LCD Monitor2x 3G-SDI Output2x XLR Inputs2x CFast Card SlotsCanon Log 2 GammaPrice: $15,999 (Body Only)Canon C500The Canon C500 was just marked down as we await news of the C500 MK II at NAB 2016. The C500 was the B camera used on the Oscar-nominated film The Big Short. The camera was used for stunts on major motion pictures like Avengers: Age of Ultron, Need for Speed, The Man From U.N.C.L.E., and After Earth.Specs:Super 35mm-Size CMOS SensorAvailable with EF or PL Mount4K RAW (4096 x 2160) Output2K, Quad HD & Full HD2x 3G-SDI Outputs50 Mb/s Proxy HD Recording to CF Card10-Bit 4K RAW at Up to 60p10-Bit 4K Half RAW at Up to 120p12-Bit 2K 4:4:4 Signal at Up to 60pCanon Log GammaPrice: $9,999 (Body Only)Mark II: $TBA ~$30,000 NAB 2016BlackmagicBlackmagic has gained a lot of traction in documentary and movie stunts. The company just finally started shipping the much-anticipated Ursa Mini 4K and 4.6K cameras. Their most popular camera is the Pocket Cinema Camera, which has become a go-to stunt camera.Blackmagic Pocket Cinema CameraThe Blackmagic Pocket Cinema Camera is a tiny camera, not much larger than a regular point-and-shoot. It has become a go-to stunt camera, recently used on the Oscar-winning Mad Max: Fury Road, the blockbusters Avengers: Age of Ultron and The Expendables 3, as well as the television show Mythbusters. It was the primary camera for the Sundance fake documentary Operation Avalanche, which was shot to look like 16mm film. Unfortunately, this camera isn’t the best for audio. I’ve listed it solely for its image quality and price point.Specs:Super 16mm-Sized Image Sensor1920 x 1080 Native ResolutionMicro Four Thirds Lens Mount13 Stops of Dynamic RangeRecords ProRes 422 HQ and CinemaDNG RAWPortable Design (5″ Long and 12.5 oz)3.5″ LCD Display with 800×480 ResolutionHDMI, LANC, 3.5mm Audio Input and OutputPrice: $1,095 (Body Only)Blackmagic Ursa MiniThe Blackmagic Ursa Mini is the newest camera on this list, with the 4.6K version having only shipped in the past few weeks. The camera is available in four different options at either 4K or 4.6K.Super 35 SensorFour Options – 4K EF Mount, 4K PL Mount, 4.6K EF Mount, 4.6K PL Mount4.6K Uncompressed Video Recording/4608 x 2592 – Depending on Camera Model4K Uncompressed Video Recording/4096 x 2304/4608 x 1920/4000 x 2160UltraHD Apple ProRes/3840 x 21603K Anamorphic/3072 x 25602K/2048 x 1152HD Apple ProRes/1920 x 108023.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps15 Stops5″ Fold Out MonitorDual CFast – Nonstop RecordingIncludes Full DaVinci Resolve SuitePrice: $2,999 – $5495 (Body Only)REDRED has become the go-to camera in nearly every type of video production. RED cameras are used in advertising campaigns by companies like Red Bull and are prominently used in commercials and film. Some major motion pictures will use RED cameras as the A camera, as well as a B camera. A quick aside — don’t let these brain only prices fool you. These cameras require a ton of very expensive support gear.RED RAVENThe RED RAVEN is the base model from RED. Yes, everything is pretty much always listed in all caps. This camera is most popular on independent films and medium-scale commercial productions.9.9 Megapixel CMOS Sensor16.5+ StopsUp to 120 fps 4.5K, Up to 300 fps 2K4.5K 2.1:1 (4608 × 2160), 2.4:1 (4608 × 1944)4K Full Frame (4096 × 2160), 2:1 (4096 × 2048), 2.4:1 (4096 × 1728), UHD/16:9 (3840 × 2160)3K Full Frame (3072 × 1620), 2:1 (3072 × 1536), 2.4:1 (3072 × 1296), 16:9 (2880 × 1620), 3:2 (2880 × 1920)2K Full Frame (2048 × 1080), 2:1 (2048 × 1024), 2.4:1 (2048 × 864), 16:9 (1920 × 1080), 3:2 (1920 × 1280)Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHzPrice: Starting at $5,950 (Brain Only)RED SCARLET-WThe RED SCARLET-W is one of the newest cameras from RED, updating the prior SCARLET DRAGON. The prior model was popular on independent film sets like Drinking Buddies and was most recently used on the SXSW film Claire in Motion. It also captured the intense action of The Raid 2 and was a stunt camera on The Expendables 3. Here are the specs on the newly updated SCARLET-W:13.8 MP Super 35mm CMOS16.5+ StopsUp to 60 fps 5K, Up to 300 fps 2K5K Full Frame (5120 × 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3×4.5K Full Frame (4608 × 2412), 2:1, 2.4:1, 16:9, 3:2, 4:1, 8:1, and Ana 2x, 1.3x4K Full Frame (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x3K Full Frame (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x2K Full Frame (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3xIntegrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHzPrice: Starting at $9,950 (Brain Only)RED EPIC DRAGONThe RED EPIC DRAGON was just used as an A camera on the Oscar-nominated films The Martian, Room, Gone Girl and The Danish Girl. It was also used for a few scenes by three-time Best Cinematographer Emmanuel Lubezki in The Revenant. It was the camera of choice for 10 Cloverfield Lane, Straight Outta Compton, The Walk, and the television series Better Call Saul. It was was used as a B camera on The Birth of a Nation, Steve Jobs, Furious 7, Spectre, Magic Mike XXL.19.4 Megapixel CMOS Sensor16.5+ stopsUp to 75 fps 6K, up to 300 fps 2K6K Full Frame (6144 × 3160), 2:1, 2.4:1, 16:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x5K Full Frame (5120 × 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3×4.5K Full Frame (4608 × 2412), 2:1, 2.4:1, 16:9, 3:2, 4:1, 8:1, and Ana 2x, 1.3x4K Full Frame (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x3K Full Frame (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x2K Full Frame (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3×2 channel, uncompressed, 24-bit 48 kHz. Optional 4 channel, and AES/EBU digital audioPrice: Starting at $24,000 (Brain Only)RED WEAPONThe RED WEAPON is currently available to consumers with a 6K DRAGON sensor, though an 8K Vista Vision camera is currently being tested on the set of Guardians of the Galaxy Vol. 2.19.4 Megapixel CMOS Sensor16.5+ StopsUp to 100 fps 6K, Up to 300 fps 2K6K Full Frame (6144 x 3160), 2:1, 2.4:1, 16:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 5K Full Frame (5120 x 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 4.5K Full Frame (4608 x 2412), 2:1, 2.4:1, 16:9, 3:2, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Frame (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 3K Full Frame (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Frame (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3xIntegrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz Price: Starting at $29,500 (Brain Only)Are you looking to upgrade to a new camera? What camera are you most interested in buying? Let us know in the comments below.
Right wing James Neal — who leads the Knights in scoring this season — recorded 40 goals in the 2011-12 season and has scored at least 50 points four times in his career. Winger Reilly Smith brings more scoring touch (he notched 25 goals with the Florida Panthers in 2015-16) and respectable possession metrics to the table. And while winger David Perron’s career scoring pace of 48 points per 82 games doesn’t qualify him as an elite scorer, it still makes him a nice addition — through seven games, he’s tallied the third most points for the Knights. Vegas even managed to nab a three-time Stanley Cup-winning goaltender in Marc-Andre Fleury.4Fleury was a starter for only one of those three cups, but he played in at least 35 regular season games in the seasons the Penguins won those cups.But despite scoring some key pieces in the expansion draft, the Knights are still an expansion team. The average expansion team since ’92 collected just 57 points in its first NHL season — which is to say that the average expansion team hasn’t been very good.5For reference, only four teams in the past four NHL seasons have notched fewer than 57 points: the 2016-17 Colorado Avalanche, which is among the worst hockey teams in the history of the NHL; the 2013-14 and 2014-15 Sabers; and the 2014-15 Arizona Coyotes. And before the season began, some writers predicted that the Knights might even be very bad. (The regular kind of bad or, worse, the historically kind of bad.) Still, there’s hope for the Knights — they may just have to wait a few years.Five of the other nine expansion teams improved enough early on to qualify for the playoffs by their fourth season, and only three teams — the Atlanta Thrashers (who are now the second incarnation of the Winnipeg Jets), the Columbus Blue Jackets and the Nashville Predators — took at least six seasons to earn their first playoff berth. However, none of them became .500 teams by the end of their fifth season, and only a handful have become postseason mainstays. 1992-93Lightning+186.3+121.9-11.8+296.4 1993-94Panthers+130.7+162.1+155.1+447.9 1992-93Senators+217+76.8+18.9+312.7 2000-01Blue Jackets+295+73.5+31.7+400.2 1998-99Predators+254.9+18+2.9+275.8 One of those mainstays is the San Jose Sharks. Their first-season roster was middle-of-the-pack as far as expansion teams go, and while they struggled mightily early,6The Sharks won just 11 games during their second season. they’ve been by far the most successful expansion team of the past three decades in terms of playoff appearances: In their 25 seasons, they’ve made the postseason 19 times. But then there’s the case of the Thrashers/Jets, whose first-year roster matched San Jose’s in terms of previous season GVT but who, after 17 seasons, still haven’t managed to win a playoff game. An expansion team’s previous career GVT isn’t a guarantor of immediate success, but of the nine expansion franchises that came into the NHL between 1991 and 2001, only the Florida Panthers — whose previous career GVT is second only to the Knights — took less than a decade to get to the Stanley Cup Finals, making it in just their third season.7Despite a glut of playoff appearances, it took the Sharks 24 seasons to make their first Stanley Cup Finals. And three of the nine expansion franchises are still without a finals appearance to their credit.The Panthers, like the Knights, were able to snag an established goal scorer (Scott Mellanby) and goalie (John Vanbiesbrouck) in the expansion draft, so they had some crucial puzzle pieces in place from the jump. They also drafted well early on — they snatched Rob Niedermayer in their inaugural draft and Ed Jovanovski the following year — and that mix of fresh talent and solid veterans came together in a magical, rubber rat-infested run to Eastern Conference preeminence. We’re not sure how Vegas will draft, but if they’re able to score the right players, they may find themselves in a similar position as those early Panthers teams.But the sun has rarely shone in Sunrise since that early success — in the 20 seasons subsequent, the Panthers have made the playoffs only four times. For the Panthers, previous career GVT correlated with early success, but it meant little in the way of long-term franchise well-being.Truth is, expansion franchises since 1991 haven’t had a whole lot of success in terms of championships won. Only two — the Lightning and the Ducks — have lifted Lord Stanley’s mug, and neither did so within their first decade of existence.The Knights are off to a historically great start, but history also suggests they’re still probably looking at a spring void of playoff hockey. And if it’s a Stanley Cup they’re after, the Knights shouldn’t hold their collective breath. But who knows: maybe the Knights, with their historically good expansion roster, will shock the NHL. Source: Hockey-Reference.com, HockeyAbstract Three weeks into the NHL season, there’s little that makes sense in the standings. The Montreal Canadiens and the New York Rangers — Eastern Conference stalwarts in recent years — have combined for three wins.1One of which came when New York beat Montreal. Meanwhile, several of the league’s recent doormats — like the Philadelphia Flyers and the New Jersey Devils — are looking surprisingly dangerous. But perhaps the biggest oddity of all is this: The Vegas Golden Knights are playing some good hockey.Of course, it’s early and the Knights are up against some tough narratives: The quixotic practice of desert hockey hasn’t exactly worked out for the NHL to this point (looking at you, Phoenix), and no expansion team from the past 26 years has made the playoffs in its first season. But no expansion team from the past 26 years — or in the history of the NHL, for that matter — has gotten off to this good of a start, either.The Knights’ six wins in seven tries are remarkable considering how their expansion brethren have fared. Among the other nine expansion teams that began play since 1991, only three — the 1992-93 Tampa Bay Lightning, the 1993-94 Florida Panthers and the 1993-94 Mighty Ducks of Anaheim — managed to win more than one of their first seven games. And then there’s the case of the putrid 1992-93 Ottawa Senators, who didn’t win their second game until their 23rd try.What’s more, there’s reason to believe the Knights aren’t hovering around the top of the Western Conference standings by accident. The team’s roster — like all expansion teams — is largely a Frankenstein’s monster of the rest of the league’s broken parts. But the Knights cobbled together a decent group of players! (As far as expansion teams go, and as far as teams in the 2017-18 NHL go, too.) According to goals versus threshold (GVT) statistics,2GVT was developed by Tom Awad of Hockey Prospectus and is similar to baseball’s VORP in that it seeks to determine a player’s value in goals above what a replacement player would contribute. the Knights entered the NHL with one of the best expansion rosters of the past three decades.3We looked at expansion teams dating back to the league’s seventh expansion, which happened in 1991-92 and saw the addition of the San Jose Sharks. Average+201.4+78.6+36.6+316.7 PREV. CAREER GVT 2000-01Wild+95.8+50.9+10.8+157.5 Vegas has some of the best expansion talent everGoals versus threshold (GVT) in previous careers for expansion teams’ top 12 forwards, top six defensemen and top two goalies, since 1991 1993-94Mighty Ducks+51.1+70.5-2.3+119.3 1991-92Sharks+280.8+9.4-6.5+283.7 1999-00Thrashers+225+90.4+30.5+345.9 2017-18Golden Knights+277.7+112.8+136.9+527.4 YEARTEAMFDGTOT
Now playing: Watch this: 1 Mobile Tech Industry Internet 2:50 Share your voice Comment Opensignal found that the fastest speeds were in the North and Northeast, rather than “the tech hubs of the West Coast.” Corinne Reichert/CNET Want the fastest mobile download speeds possible? Move to Cleveland.On networks in the 50 largest US cities, mobile analytics company Opensignal found that Cleveland provided about double the speeds of Oklahoma City, which came in last: 32.8 megabits per second versus 16.9Mbps. The top five fastest cities were Cleveland, Minneapolis, New York, Detroit and Pittsburgh, while the bottom five were Memphis, Tennessee; New Orleans; Riverside, California; San Antonio; and Oklahoma City. For its latest report, the company looked at smartphone users’ experiences on mobile networks from January through March of this year. State by state, Opensignal found that the fastest speeds were in the North and Northeast, rather than “the tech hubs of the West Coast.””California, home to both Silicon Valley and the movie industry, ranked just 19th in download speed experience while Washington state, home to Amazon and Microsoft’s HQs, ranked 16th,” the company noted Friday.Mobile speeds state by state Opensignal The fastest state was New Jersey, with speeds of almost 33Mbps, while bottom-ranked Mississippi is averaging speeds of just 12Mbps. Connecticut, Massachusetts, Rhode Island, Ohio, Minnesota and North Dakota were also highly ranked.On latency — the time it takes to load web pages using mobile networks — the top five major US cities were Baltimore, New York, Washington, Dallas and Philadelphia. The cities with the slowest latency were New Orleans; Kansas City; Nashville, Tennessee; Louisville/Jefferson County, Kentucky; and Memphis, Tennessee, according to the report.With 5G coming in now, Opensignal said its next report will show exactly what difference the new networks make to download speeds.”Carriers will find it hard to sell 5G services unless 5G offers a better mobile network experience,” it said.Earlier this week CNET tested Sprint’s 5G speeds, and earlier this month, Verizon’s 5G speeds. AT&T’s 5G network is also live, while the first signs of T-Mobile’s 5G network in New York have appeared. Tags Is 5G coming to a city near you? 5G
The Australian Government has come up with an exhibition
Crystal marks construction milestone for new Crystal Endeavor Set to debut in 2020, Crystal Endeavor will be the largest purpose-built Polar Class ship featuring Crystal’s all-suite butler-serviced accommodations and celebrated service.More news: Hotel charges Bollywood star $8.50 for two bananas and the Internet has thoughts“We look forward to this innovative expedition yacht with great anticipation in the Stralsund shipyard,” said Tan Sri Lim Kok Thay. “A highlight is our investment of over 20 million euros in new equipment so that the Stralsund shipyard will be able to continue to build cruise ships efficiently in the future.”Crystal is on track for major expansion over the next five years, with the addition of Crystal Debussy and Crystal Ravel river ships in addition to Crystal Endeavor. Share << Previous PostNext Post >> Tuesday, January 16, 2018 Posted by Travelweek Group Tags: Crystal Cruises MIAMI — Crystal celebrated a major milestone in Crystal Yacht Expedition Cruises’ expansion, with the steel cutting of Crystal Endeavor in Stralsund, Germany.At the official ceremony at MV WERFTEN Shipyard on Jan. 15, Crystal president and CEO tom Wolber was joined by Tan Sri Lim Kok Thay, chairman and CEO of Crystal’s parent company, Genting Hong Kong (GHK); Colin Au, group president of GHK; Jarmo Laakso, CEO of MV WERFTEN; and local dignitaries Harry Glawe, Economics Minister of the State of Mecklenburg-Western Pomerania, and Dr. Alexander Badrow, Lord Mayor of Stralsund.“Today is a special day in the development of Crystal Endeavor, which will introduce the next level of exploration for the Crystal brand,” Wolber said. “We are pleased to collaborate again with the experts at MV WERFTEN as we work toward a vision for Crystal Endeavor that truly embodies the spirit of discovery of Crystal Yacht Expedition Cruises.”